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The New York Review of Books
and is consciously disobedient to academic structures in form
orkestreren een trage ondergrondse revolutie
Originally a play
The Colour & Duets Het verzamelde lichaam The New York Review ofIliassa Sequin met Andr du Bouchet in Paris in the later 1960s, and the two poets exchanged letters, poems, and translations for more than thirty years. The Colour (La Couleur) was composed in 1973 4 for a catalogue of Bram van Velde lithographs. Sequin began translating it soon after the initial publication, and worked on her version intermittently until her death in 2019. Appearing here in English for the first time, it is joined by three poems from
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